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I'm usually a one-project-at-a-time kind of writer. I might bounce from chapter to chapter, but generally I can only take the right shape to tell one kind of story at a time.

This week, though, it seems that the Beltresin prequel and the new Rugosa story are quite happy to share writing sessions. I think I swapped between them three or four times today, with results that are rough but promising. How do I account for this change in process? No clue. I'll play with it a while and see what happens.

When Charles and Amelia Baines died, there were eight televisions in their house, none of them plugged in.

Now that I know these characters were old school occultists whose most treasured possession is a small collection of Madame Blavatsky's letters, I find the consumerist frenzy of their last months on earth even more bewildering than I did when the story first came to me. Anything might happen.
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Sarah Avery

October 2016

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