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Nov. 3rd, 2005 12:18 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Despite a real-live emergency that necessitated ten hours of driving from Jersey to Maryland and back again, I stole time from my wonderful family and friends to write 776 terrible new words.
I'm now completely certain my opening chapter is off the rails. If it weren't Nanowrimo, I'd cut and paste the offending passages into a new Word document and then tuck it into the Half-Abandoned Bits file. As it is, I'll just be flagging them with [TO BE CUT] and [END CUT HERE] signposts, and an alternate opening will go into the same document. If, on 30 November, all I have to send for Nanowrimo's word count verification is 37 versions of the opening chapter, that's actually just fine. I have my eyes on a bigger prize than Nanowrimo.
In zero draft mind, I'm quite content to write ugly sentences, fatally flawed subplots, excessive exposition, etc., but if I know I'm lying to myself about who the characters are, that brings everything to a crashing halt. I can misunderstand the characters, but not misrepresent them.
To get back on track, I'm reverting to my old two-shift work rhythm: a late morning to early afternoon longhand shift, during which anything goes, and an evening writing shift to type up and refine the first shift's longhand stuff. I've tried skipping the longhand step and composing directly onto the laptop over the past couple of months, to see if it was any faster. Weirdly enough, it's not.
I'm now completely certain my opening chapter is off the rails. If it weren't Nanowrimo, I'd cut and paste the offending passages into a new Word document and then tuck it into the Half-Abandoned Bits file. As it is, I'll just be flagging them with [TO BE CUT] and [END CUT HERE] signposts, and an alternate opening will go into the same document. If, on 30 November, all I have to send for Nanowrimo's word count verification is 37 versions of the opening chapter, that's actually just fine. I have my eyes on a bigger prize than Nanowrimo.
In zero draft mind, I'm quite content to write ugly sentences, fatally flawed subplots, excessive exposition, etc., but if I know I'm lying to myself about who the characters are, that brings everything to a crashing halt. I can misunderstand the characters, but not misrepresent them.
To get back on track, I'm reverting to my old two-shift work rhythm: a late morning to early afternoon longhand shift, during which anything goes, and an evening writing shift to type up and refine the first shift's longhand stuff. I've tried skipping the longhand step and composing directly onto the laptop over the past couple of months, to see if it was any faster. Weirdly enough, it's not.
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2,153 / 50,000 (4.3%) |
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Date: 2005-11-03 08:03 pm (UTC)Don't take away time from writing, but how long do you spend on these sessions?
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Date: 2005-11-03 09:16 pm (UTC)While I was working on the big ms, a four-hour writing day, divided irregularly and unpredictably among the three main types of labor (longhand generation of new material, longhand markup of hard copy, and entry of longhand material into my word processor), was probably about average. A good day would be a four-hour longhand session, followed by a several-hours break for employment, housework, and spousal hanging out, followed by a two-hour writing session at the computer. Ten hour days were not the norm, but not rare, either.
And once, there was an insane 20-hour, 33-page day. My wrists were wrecked for a while after that, and I'm not in a hurry to repeat the experience.
Some days, I had to settle for producing a single sentence, or marking up a few pages of hard copy. I've only taken two days entirely off since May 17, 2003, though. I don't care for days off. Don't believe in 'em. They make me a little crazy. More than a little crazy. (Right now, you're thinking, Sarah, you're already more than a little crazy, if you're planning on writing 50000 words in 30 days. No, really. It can get worse.)
no subject
Date: 2005-11-04 10:30 am (UTC)