Sarah Avery (
dr_pretentious) wrote2005-02-23 01:26 am
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The Agony Column and the Demise of the Doorstopper
You may have heard me lament about the impending demise of the doorstopper novel. The Agony Column has some useful and interesting things to say about that. If you enjoy big, fat novels in any genre, you ought to know that the bookselling chains are trying to drive such books into extinction on the basis of a belief that wide-spined books play havoc with the ratio of inches of shelf space to profit. If that pisses you off, follow Rick Kleffel's advice on how to tell the bookselling chains of your displeasure. Do it for yourself and readers everywhere. Do it for George R.R. Martin. All right, I'll confess to my self interest: do it for me. Me me me me me. Pretty please.
EDITED 14 June 2005
As Marianne Moore tells us, omissions are not accidents. Please note that I have never blamed the publishing houses for this development in the market. It's a chain bookstore problem.
EDITED 14 June 2005
As Marianne Moore tells us, omissions are not accidents. Please note that I have never blamed the publishing houses for this development in the market. It's a chain bookstore problem.
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Well, no, it isn't really, but it sounds kind of cool.
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Note that my wallet is fully capable of handling the load. It's my bookshelves that cannot. Stores aren't the only ones trying to optimize for space.
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Since at the moment I have no royalties to lose by saying so, yes, it counts. (And really, how would I know if it didn't?)
I sympathize with the shelf-space shortage. I keep hoping something sufficiently auspicious will happen--and plenty of different things might be auspicious enough--for me to feel safe offloading the scholarly books I'll never have a reason to look at again if I don't have to crawl back to academia. I've got three different careers' worth of professional libraries crammed into my study, to say nothing of the books I picked up just for pleasure.
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if the bookstores do believe that bug-squashers aren't selling well -- and that claim is third-hand or so -- i'd take it as free market research about what readers are paying for.
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This only equates to market research if pages are a fungible commodity.
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exactly. a story of 106 words is worth no more to write than one of 105 words. free market research.
well, ok, the long story may be worth more, but not proportionately so. i think this is extremely valuable information to a beginning writer trying to convince a publisher that they're worth their advance.
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Well, the Brits aren't scared of long manuscripts by first-time novelists solely on the basis of length, as witness Jonathan Strange and Mr. Norrell. My current draft is nowhere near that degree of polish, obviously, and it's possible I might not ever equal Susanna Clarke at the game. But then, I don't mean to languish in perfectionistic obscurity through ten years of revisions, which seems like a rather extreme trade to make for any single volume. I was about to say I had no idea how Clarke could stand to do that, but then realized I'd (sort of) done it myself. Having traded a decade for the dissertation, it's not a sort of exchange I'm eager to make again, not even for my Beltresins. Anyhow, maybe the Brits will look at the thing, once I've put it back together enough for the engine to run, if the American publishers are too cowed by the American bookselling chains.
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